Hi Kk

Thanks for the posting but might I ask what your qualifications are to make this judgement ? Are you a student, teacher or professor or simply self taught in Art History. Please don't misunderstand the question I just wish to know what you are basing your opinion on.

And since I firmly believe in was Jan van Eyck, while Karl Hammer believes it was Barthélemy d'Eyck and they were painting in the early to mid 15th century (1430-50) it would appear we differ on this matter.


by Barthélemy d'Eyck from Livre du Coeur d'Amours Espris
Caption: At Sunrise, Heart reads the inscription on the Enchanted Fountain

Taken from my website on him:

"Livre du Coeur d'Amours Espris by Rene d'Anjou

Art by: Barthélemy d'Eyck ?

Barthélemy d'Eyck: Netherlandish painter, active in France. The son of Ydria Exters 'd'Allemagne' (d 1460) and the stepson of Pierre du Billant, he is first recorded on 19 February 1444 as a witness with Enguerrand Charonton in Aix-en-Provence and described as 'magister Bartolomeus de Ayck pictor', inhabitant of Aix. From c. 1447 he was 'peintre et varlet de chambre' at the court of René I, King of Naples (reg 1438-42) and Duke of Anjou (reg 1434-80). Between 1447 and 1449 Barthélemy worked at René's château of Tarascon (Bouches-du-Rhône) in a room close to the Duke's own apartments. There his activities may have included supervising fellow artists, providing designs and perhaps painting the ceiling decoration of the Royal Apartments in the east wing of the château (de Mérindol). In 1451 Barthélemy travelled in the Duke's entourage to Guyenne, and in 1456 he was at Angers, which he visited on a number of other occasions.

Existing accounts show that Barthélemy was responsible for paying painters and illuminators, purchasing materials for manuscripts and obtaining gold to be made into jewellery for René's second wife, Joanna of Laval. The last document relating to Barthélemy is dated 26 December 1469, when he received wages for himself, three servants and three horses. The high esteem in which he was held may be deduced from Jean Pélerin's third edition of his treatise De artificiali perspectiva (Toul, 1521), which ends with a French poem mentioning a 'Berthelemi' together with Jean Fouquet, Jean Poyet and Coppin Delf.

There are attempts to identify Barthélemy d'Eyck with the Master of the Aix Annunciation."


Cheers
Don Barone

" If everything is simply a coincidence what then is the point of studying or measuring or analyzing anything in the ancient world ?" db



Edited 1 time(s). Last edit at 05/18/2007 07:24AM by Ahatmose.